The debate over money and ministry has taken center stage, with singer Timi Dakolo calling out Pastor Femi Lazarus over claims that gospel artists demand outrageous fees to perform in churches.
Dakolo, refusing to let the allegations slide, challenged the pastor to name the artist or stop misleading the public.
The $10,000 Controversy
Pastor Lazarus, leader of Light Nation Church, sparked a major conversation after revealing that a gospel singer once demanded a $10,000 honorarium, insisting on a non-refundable 50% upfront payment before performing at a church event. The singer’s list of requirements reportedly included:
A 40-person entourage, all expenses covered by the church.
First-class airfare for the artist, with the team flying economy.
Luxury hotel suites for the singer and top assistants.
Three daily meals, with a preference for local cuisine.
The pastor warned that such commercialization of gospel music shifts the focus from true worship to pure performance.
Timi Dakolo’s Clapback
Timi Dakolo wasn’t convinced. Taking to social media, the veteran singer and songwriter dismissed the claims, questioning the authenticity of the invoice Pastor Lazarus allegedly received. He dared the pastor to reveal the artist’s name rather than make vague accusations.
Dakolo further defended gospel artists’ right to charge for their services, arguing that musicians invest in their craft, from studio time to production costs, and should not be expected to work for free.
A Case of Hypocrisy?
The debate took another turn when Dakolo flipped the script on Pastor Lazarus, accusing him of monetizing his own ministry. The singer exposed that the pastor’s ministry school charges $150 per student, questioning why it’s acceptable for pastors to earn from ministry but not gospel artists.
Where Do We Draw the Line?
The exchange has sparked a deeper conversation within the Christian community. Some believe ministry should remain free from financial demands, while others argue that gospel artists deserve compensation for their efforts.
As the debate rages on, one question remains: Is gospel music a calling or a career? And if churches can pay for sound systems and event planners, shouldn’t the musicians be paid too?
